Grade 5 Fall — Multi-Paragraph Essay (5-Paragraph Format with Flexibility), Citations and Works Cited, and Audience-Aware Craft
Lesson 7 55 min eng.g5.f.lesson_07.audience_analysis_card

Who Is My Reader? Audience Analysis as a Craft Move

Objectives
  • Students name 4 audience-analysis questions (WHO, WHAT-DO-THEY-KNOW, WHAT-DO-THEY-NEED, WHAT-TONE).
  • Students fill MG-7 audience-analysis card for their essay.
Vocabulary
audiencetoneregisterprimary readerintention

Lesson plan

Warm-up

5 min

Teacher reads two openings of the same topic — one for kindergarteners, one for the school principal. Children identify which is which and why.

Teacher moves
  • Read both versions aloud
  • Ask 'who is the reader?' and 'how do you know?'
  • Affirm specific audience markers (vocabulary, tone, complexity)

Direct instruction

18 min

Today you meet AUDIENCE AWARENESS — the craft move that signals you respect your reader enough to consider them. The MG-7 audience-analysis card has 4 questions. WHO is my primary reader (peer / teacher / parent / younger student / community member / public official)? WHAT do they already KNOW about my topic? WHAT do they NEED from my essay (information / persuasion / story / instruction / reflection)? WHAT TONE fits this reader (formal / informal / warm / urgent / playful / scholarly)? Watch teacher fill MG-7 for an essay arguing 'school should start at 8:30am': WHO: school principal and parents. WHAT-DO-THEY-KNOW: they know mornings are busy and bus schedules exist. WHAT-DO-THEY-NEED: evidence that later start improves learning. WHAT-TONE: respectful, formal, evidence-led. Now watch teacher fill MG-7 for the SAME topic with a DIFFERENT audience — peers: WHO: 5th grade classmates. WHAT-DO-THEY-KNOW: they already want to sleep more. WHAT-DO-THEY-NEED: confirmation their experience matches research. WHAT-TONE: warm, urgent, casual but not unprofessional. Notice: SAME TOPIC, DIFFERENT AUDIENCES, DIFFERENT CARDS — and the essay will need different word choices and structure. Audience-awareness is a CRAFT MOVE, not a side thought. Mentor texts: Kelly Yang writes Front Desk for fifth-grade readers — her tone is warm, first-person, urgent. Sharon Draper writes Out of My Mind for the same age but with a different perspective (a child unable to speak) — Draper's tone is patient, careful, inviting empathy.

Key examples
  • Audience is not 'whoever might read it.' Audience is a SPECIFIC primary reader, and your card matches your essay choices to that reader.
    model See narrative — same topic, two audience cards, two different essay approaches.
    prompt Teacher fills MG-7 for the same topic with two different audiences.
Checks for understanding
  • What are the 4 audience questions?
  • Why does the SAME topic need DIFFERENT word choices for different audiences?
Media
M-5-F-WR-07-A Chart
Reproduction of MG-7 at 11x17: 4-question card (WHO blue / WHAT-DO-THEY-KNOW orange / WHAT-DO-THEY-NEED red / WHAT-TONE

Reproduction of MG-7 at 11x17: 4-question card (WHO blue / WHAT-DO-THEY-KNOW orange / WHAT-DO-THEY-NEED red / WHAT-TONE green). Two side-by-side worked-example panels: one for school-principal audience, one for peer audience, same topic 'should school start at 8:30am'. Print-ready, dyslexic-friendly font.

MG-7 Chart
Audience-analysis card anchor: 4-question card. WHO (blue, top): 'Who is my primary reader? (Peer / teacher / parent / y

Audience-analysis card anchor: 4-question card. WHO (blue, top): 'Who is my primary reader? (Peer / teacher / parent / younger student / community member / public official.)' WHAT-DO-THEY-KNOW (orange, middle-top): 'What does this reader already know about my topic?' WHAT-DO-THEY-NEED (red, middle-bottom): 'What does this reader need from my essay? (Information / persuasion / story / instruction / reflection.)' WHAT-TONE (green, bottom): 'What TONE fits this reader? (Formal / informal / warm / urgent / playful / scholarly.)' Worked example for an essay arguing that school start times should be later: 'WHO: school principal and parents. WHAT-DO-THEY-KNOW: they know how busy mornings are. WHAT-DO-THEY-NEED: evidence that later start times improve learning. WHAT-TONE: respectful, formal, evidence-led.' Bottom rule: 'Fill the card BEFORE you draft. Re-check the card at revision.' Print-ready 11x17.

Guided practice

18 min
Tasks
  • Fill the MG-7 audience-analysis card for YOUR essay. Name your primary reader specifically.
    scaffold MG-7 anchor at desk; audience-prompt cards; tone-word bank
  • Share with a partner. Partner asks: 'Does your tone in your draft match your audience card?'
    scaffold Sentence frame: 'My audience is ___. They know ___. They need ___. The tone fits ___ because ___.'
Media
M-5-F-WR-07-B Illustration
Reference image of a Grade-5 child's MG-7 card filled by hand: 'WHO: my classmates and our school principal. WHAT-KNOW:

Reference image of a Grade-5 child's MG-7 card filled by hand: 'WHO: my classmates and our school principal. WHAT-KNOW: they know my topic from the morning announcements. WHAT-NEED: they need evidence why my argument matters. WHAT-TONE: warm but evidence-led.' Card visibly stapled inside writer's notebook front cover. Print-ready 8.5x11.

MG-7 Chart
Audience-analysis card anchor: 4-question card. WHO (blue, top): 'Who is my primary reader? (Peer / teacher / parent / y

Audience-analysis card anchor: 4-question card. WHO (blue, top): 'Who is my primary reader? (Peer / teacher / parent / younger student / community member / public official.)' WHAT-DO-THEY-KNOW (orange, middle-top): 'What does this reader already know about my topic?' WHAT-DO-THEY-NEED (red, middle-bottom): 'What does this reader need from my essay? (Information / persuasion / story / instruction / reflection.)' WHAT-TONE (green, bottom): 'What TONE fits this reader? (Formal / informal / warm / urgent / playful / scholarly.)' Worked example for an essay arguing that school start times should be later: 'WHO: school principal and parents. WHAT-DO-THEY-KNOW: they know how busy mornings are. WHAT-DO-THEY-NEED: evidence that later start times improve learning. WHAT-TONE: respectful, formal, evidence-led.' Bottom rule: 'Fill the card BEFORE you draft. Re-check the card at revision.' Print-ready 11x17.

Formative assessment

3 min
Exit ticket
  • Show your filled audience-analysis card. Staple it inside the front cover of your essayist's notebook.
  • Move status-tile to PLAN or DRAFT.
scoring All 4 questions answered specifically = mastery; 2-3 answered = practicing; vague answers = reteach.

Closure

1 min
Moves
  • Star your audience-analysis card.
  • Predict: tomorrow we revisit grammar — conjunctions, prepositions, interjections.

Homework

10 min
Tasks
  • At home tonight, find one TV ad and one newspaper article. Name the audience for each. Bring notes tomorrow.

Exercises in this lesson

eng.g5.f.ex_13
Fill the MG-7 audience-analysis card for YOUR essay. Answer all 4 questions specifically.
audience card fill · diff 3
eng.g5.f.ex_14
Write a 2-sentence opening for your essay topic for TWO different audiences. Audience 1: peer (5th grade classmate). Audience 2: adult...
same topic two audiences · diff 4

Differentiation

Scaffolds
  • Pre-printed card with WHO already filled; child fills the other 3
  • Audience-prompt photo cards at every table
  • Reduced target: 2 questions answered specifically; the other 2 pre-filled
Extensions
  • Fill TWO audience cards for the same topic and write 2-sentence openings for each.
  • Identify the audience for the Yang and Draper mentor passages from their tone and vocabulary.
English Learners
  • Bilingual audience prompts
  • Audience naming in home language first
  • Cognate notes (audience/audiencia, tone/tono)
Ieps 504s
  • Pre-filled audience card with one option highlighted; child confirms or changes
  • Adult scribe
  • Reduced target: WHO + WHAT-TONE only

Teacher notes

Audience analysis is the signature G5-fall craft move and the strongest stretch beyond CCSS W.5.4. Children who fill the card and then DECOUPLE it from their drafting miss the whole point — push for the card to inform every revision decision (revision move 4 in MG-22 explicitly checks audience). Watch for: (1) defaulting to 'the teacher' as audience for every essay (push for variety); (2) tone words that don't match WHO and WHAT-NEED ('scholarly' tone for a peer audience needing reassurance — mismatch). The card stapled into the notebook makes audience visible at every drafting and revising session.